Ad Savvy » Great Advertising

Kitten Mittons & Dick Towels: The Reason Why ‘Always Sunny’ is the Best Show on TV Right Now

Vito Rispo — Fri, 15 Oct 2010 00:56:15 +0000

In the Always Sunny in Philadelphia episode “Paddy’s Pub: Home of the Original Kitten Mittens”, the gang tries to come up with various marketable products in an attempt to build the Paddy’s Pub brand.

Frank comes up with a gun that shoots alcohol directly into your mouth, Mac comes up with the dick-towel (http://www.dicktowel.com/), and Charlie comes up with the now world-famous ‘Kitten Mittons’. An excellent episode about advertising and marketing. Best episode yet. Check out the complete, uncensored Dick Towel video after the jump:

Also, if you’re interested in making your own pair of kitten “mittons”, check out this post on instructables.com:

http://www.instructables.com/id/Kitten-Mittons/

New Ads – Budweiser Attempts to Reclaim the ‘Cool’ Mantle

Vito Rispo — Sun, 03 Oct 2010 21:21:16 +0000

The Problem: Budweiser’s sales were down 9% last year and are down another 9% this year. The brand’s been losing customer loyalty consistently over the past 5-10 years, as can be seen in their ranking among national product brands – which slipped from 16th in 2003 to 220th in 2010.

The Reason: The major beer drinking age demographic, 21-34 year olds, consists of ironic hipsters and testosterone-challenged “progressives” who are switching to microbrews, wine, and abominations like Smirnoff Ice in droves. In fact, microbreweries specifically have more than doubled their production since 2004.

What Budweiser is doing about it: Good advertising…

The beauty of this ad is in it’s simplicity, and in the fact that it embraces a sense of masculinity that has been absent in most advertising, and is definitely absent in the apparent tastes of most 21-34 year olds. Plus, aesthetically, it’s just a good commercial. It gets me excited about the weekend, makes me want to go get a six pack of Bud.

There are no gimmicks or forced humor, in fact there’s no talking at all, just rousing music and rapid fire shots of baseball, concerts, girlflesh, grilled meat, and swimming pools; and Budweiser between each shot. Plus there is a tiny touch of patriotism there at the end, which is another possible faux pas when you’re trying to appeal to the 21-34 year old self-hating American progressive.

Bud is semi-unfashionable, just like being pro-America is semi-unfashionable. But Budweiser embraces it, because America is cool, concerts are cool, and baseball games are cool – especially when badass fighter jets fly over the stadium while you’re drinking beer.

A few years ago, president of Anheuser-Busch, August Busch IV, said:
First, while beer is America’s favorite beverage with 58 percent of overall alcohol servings, we must continue to improve the image and desirability of beer. Second, we must keep beer fun and social. Third, we must grow beer occasions. And fourth, we must continue to improve our retail execution.”.

In Honor of Michael Jordan’s Hall of Fame Induction: Get Your Basketball On with Leroy Smith – The Master Motivator

Vito Rispo — Mon, 14 Sep 2009 02:41:04 +0000

“M.J. was introduced as the greatest player ever and he’s still standing there trying to settle scores,” one Hall of Famer said privately

In the lead-up to and in the wake of Michael Jordan’s big Hall of Fame induction weekend and the (disturbingly petty) speech he gave during it, Nike has been pushing these “Leroy Smith” viral videos. Question is, Who is Leroy Smith?
Check it, Savvyites:

Harvest Leroy Smith is the reason Michael Jordan had to play JV throughout his sophomore year of high school. He’s the man who beat out MJ for the last spot on the Laney High School varsity basketball team, and now he’s an internet meme with Charlie Murphy’s face.

Jordan says getting cut from the varsity high school team was a major turning point in his life, so much so, he even invited the man who got his spot, Leroy Smith, to his Hall of Fame induction. Looks like MJ’s obsessed.

During his speech (which, like I said, is doused with petty whines and weird ramblings) he makes Smith out to be just some goon who played high school ball and only made the team over MJ because some cosmic architect was trying to shape his competitive nature. What he doesn’t mention is that Smith was at least good enough to play ball at UNC-Charlotte, and then overseas in various minor leagues before he decided to quit and settle in with a sales job, get married, and have kids like a regular human being.

However, when Jordan mentioned his version of the Smith story to Nike executives, they created an ad campaign based around a washed up “man who claims to have motivated Michael Jordan”. Granted, it really screws with the image of the real Leroy Smith, but it is effing hilarious. Strangely, I don’t see any plugs for Nike anywhere in these videos. Maybe this is part of Nike’s anti-advertising thang. Whatever it is, they’re really pushing it, there are 15+ videos on the Youtube.com account and there’s even an NBA.com interview with the fake Smith.

So check it, here’s the complete collection:

Leroy Smiths Hall of Fame Petition

News Stories: Leroy Smith Exposed (1/4)

News Stories: In the Recording Studio with Leroy Smith (2/4)

News Stories: Motivation in Action with Leroy Smith (3/4)

News Stories: Behind the Scenes with Leroy Smith (4/4)

Leroy Smith’s ‘My Gift to the Game’ music video

Leroy Smith message for Peter R Casey

Leroy Smith’s 2-on-2 Hall of Fame Challenge

GetYourBasketballOn: Shuffle & Sweat

GetYourBasketballOn: The Mind Maze

GetYourBasketballOn: The Blind Mantis

GetYourBasketballOn: Giant Target Drill

Dragon Attack Drill

ABC Focus Drill

Welcome to Leroy Smith’s Website

via GetYourBasketballOn.com

The Mind-Blowingly Vast Scale of Honda’s New Insight Commercial – “Let It Shine”

Vito Rispo — Wed, 01 Jul 2009 04:02:56 +0000

Honda’s new commercial for the 2010 Insight has a deceptively simple appearance. A series of shapes and patterns flash across what looks like an old Lite-Brite set, or maybe an LED panel, or perhaps even just a series of computer generated dots on the screen. It’s nice to look at and nice to listen to, due to the pretty music playing along. Simple and nice. The interesting part is that the flashing dots are actually the flashing headlights of 1,000 actual Honda Insights. One thousand full sized automobiles, arranged in a gigantic grid in such a way so they appear to be a perfect rectangle from the camera’s vantage point.

Check out the “Making of…” video near the end of this post:

The calming music used in the commercial is “This Little Light of Mine” by Berend Dubbe.

The commercial’s director, Erik Van Wyk, set out to film the ad entirely “in-camera” – a daunting task given what he wanted to show. According to the Van Wyk, he “was quite militant about doing it all in-camera using real lights in a gigantic grid. People sense the honesty in the sweat and commitment of other people, not CG.” Which is, of course, absolutely correct.

Filming something like the “Let It Shine” ad is extraordinarily complex. Given the way perspective works, you can’t just line up the cars and expect it to look right. The process includes a lot of math and a lot of trial and error. The crew apparently used laser sights, GPS, and surveyor’s equipment to get all the locations right. The heights and angles and exact distances had to be tweaked and re-tweaked to make sure everything was in the right place.

Van Wyk said of the final edit, “After all the research and precision planning required; seeing the test animation play out for the first time from camera position 61.5 meters up in the sky was inspiring. It was perfect”

The Making of the Commercial…

—Official Press Release—
Honda Shines Bright In New TV Ad To Support Affordable Hybrid Car

March 26, 2009 – Honda will debut its latest TV ad ‘Let it Shine’ in April to support the launch of its new hybrid car, the Insight. The advertisement is part of an integrated marketing campaign to work towards the company’s aim of environmental leadership across Europe, the Middle East, Africa and Russia (EMEAR) by 2015.

The 60, 30, 20 and 15-second TV spots marks the global launch of the all-new Insight – the most affordable hybrid on the market – which aims to make cleaner car technology accessible to a wider audience. The new Insight goes on sale at the start of April in most of Europe.

The advertisement opens on what appears to be the world’s largest LED screen displaying an animated sequence of simple dot matrix graphic stories that depict the notion of ‘good’. The animations show hugs and kisses, frowns turned into smiles, and general goodwill – all aiming to convey people’s inherent wish to be good. As the animation plays it is slowly revealed to the viewer that it is actually being created entirely by the headlights of hundreds of Honda Insight cars. The spectacle is set to a bespoke recorded version of ‘This Little Light of Mine’ created by Berend Dubbe.

‘Let it Shine’ has been created by Wieden+Kennedy Amsterdam for use across Europe, Middle East, Africa and Russia. The European debut of ‘Let it Shine’ takes place on March 28 in Belgium.

The campaign extends Honda’s strategy of continuing to be at the forefront in environmental technologies and communications. This new approach underpins a communications plan which will run alongside the expansion of Honda’s hybrid range with a coupe based on the CR-Z concept and a Jazz hybrid set to join the new Insight and existing Civic Hybrid in the next two years.

Chris Brown, Head of Marketing for Honda Motor Europe comments: “We would like to become the most admired company in the world, and to do this we need to have the most admired brand and communications across our region, EMEAR. This is a continuation of our journey.”

This latest campaign is truly integrated; with print, outdoor and digital in addition to TV. The theme ‘Everyone Wants to Be Good’ is incorporated throughout, as well as the iconic ‘Honda Eco’ flower – a visual cue to the ‘Eco Assist’ system within the Insight which encourages and rewards efficient driving.

In the end, although the team discovered that the idea was logistically feasible, they were concerned about the carbon footprint that a shoot of that magnitude would leave. After doing the work to see what was possible W+K and Honda made a conscious decision to look at a more environmentally friendly alternative. The result was a fusion of modelling software for animation, a small number of Insight vehicles for scale and a few hundred Insight headlights. The vehicles and headlights were precisely spaced and wired together while a specially created computer program created the two separate halves of the animations. These animation halves were subsequently married together in post-production.

This approach allowed the team to greatly reduce the carbon footprint of the shoot. To further limit carbon output they relied on vehicles already located in South Africa, grouped shipments of props and lights as much as possible, and mandated group transportation of personnel to and from shoot. For further good measure, the shoot’s carbon output that could not be prevented was entirely offset through carbon credits purchased through the Carbon-Neutral Company’s Unity Portfolio.

‘Let it Shine’ was directed by Erik van Wyk and creative directed by Jeff Kling, John Norman and Sue Anderson.

FormulaSexta: Formula 1 on Spain’s laSexta Channel

Vito Rispo — Tue, 12 May 2009 21:54:56 +0000

LaSexta is the sixth nationwide broadcast television station in Spain and, starting this year, the only channel in Spain that broadcasts Formula 1. So they commissioned the creative agency Kotoc to make some intro spots and they came out really nicely. My only complaint is that the ships don’t look like their going fast enough. Other than that, the pod racer feel of the whole thing is pretty interesting and the look is definitely nice.

Check out the rest of the intro spots:

Client: laSexta
Produced by: Kotoc | Director: Freddy Córdoba | Executive Producer: David Diéguez | Direction: Roger Córdoba | Art Director: Ruben Córdoba | Production Manager: Vanessa Diéguez | 3d Modelling: Alex Monge, Bernat Fortet, Kepa Casado, Marc Calvelo, Omar Sarmiento, Roger Tortosa, Ruben Córdoba | Animation: Freddy Córdoba , Hugo Garcia, Marc Calvelo | Light/Render/Compositing: Eduardo Lasierra, Marc Calvelo, Roger Tortosa, Sergio Pinto | Graphic Design: Josep Bernaus | Visual Effects: Bernat Fortet, Roger Tortosa | Audio Direction: Alex Candela FLow-Audio | Recording Studio: The Room Bcn Estudio (Jordi Navarro, Gorka Desbrach) | Collaborators Audio: Xuxa Levy, Miguel Pino | Systems: Fran Quinto

via Kotoc

Best Ad Ever: LITTLE MAC’s Comeback on Punch Out!! for the Wii

Vito Rispo — Tue, 12 May 2009 19:43:08 +0000

This is a new feature on AdSavvy, it’s called “Best Ad Ever”. And keeping with our extended overuse of hyperbole, we’ll have a new one every week, or every day. I’m not sure yet. Maybe it won’t be back. Whatever.

Little Mac is back. After fifteen years, he’s ready to reclaim his title as W.V.B.A. champ. Fake documentaries are so ‘in’ right now, and this one is excellent. Well played Nintendo, well played.

Official site

PS- I’ve had the above website in my browser for the past hour and a half. I can’t stop listening to the theme music.

Check out the original Punch Out!! ad:

And finally, does the official Nintendo ad remind you of anything?

New Intel Ad: Ajay Bhatt is Geek Chic

Vito Rispo — Fri, 08 May 2009 20:20:08 +0000

The newest of Intel’s “Sponsors of Tomorrow” ad campaign, “Intel Star”, captures the concept of geek chic well. USB co-inventor Ajay Bhatt hits the cafeteria and is welcomed as the rock star that he is. This ad should hit Intel’s target audience directly in their giant brains.

Rock that cafe with your bad self, Ajay, rock it.

Check out the first in the “Sponsors of Tomorrow” campaign:

Clever Ads for Disney’s ‘Star Wars Weekends’ Special Event

Vito Rispo — Fri, 08 May 2009 19:16:30 +0000

Star Wars Weekends is basically the Star Wars fanboy activity of the year. It’s an annual event held at Disney’s Hollywood Studios theme park with tons of Star Wars themed shows and games and membrobilia and everything possible you can think of in any way related to the series. Picture a Star Wars convention financed by Disney and designed by Disney Imagineers.

This year, Disney had some really clever print ads made up for the event, mostly having to do with all the Star Wars characters making their way to the event. Anyway, here they are, all 13 of the new print ads from Disney’s Star Wars Weekends advertising campaign. Enjoy:

Event dates:
May 22, 2009 – May 24, 2009
May 29, 2009 – May 31, 2009
June 5, 2009 – June 7, 2009
June 12, 2009 – June 14, 2009

Ronald Kurniawan behind Sharp’s surreal Plasmacluster air purifier ad – ‘Bacteria’

Vito Rispo — Fri, 08 May 2009 16:23:07 +0000

Excerpt from the print ad

M&C Saatchi has created a beautiful ad campaign for Sharp’s new series of high end air purifiers called the Plasmacluster, just in time for the sickness season and the swine flu. The ad shows a parade of bizarre bacteria, with visible organelles, all marching right up a giant nose.

It’s called “Bacteria“, and the illustration was done by a fantastic artist named Ronald Kurniawan, who I’m quickly becoming a big fan of. According to the agency, they specifically wanted to use his kind of surreal imagery:

“We opted for a light-hearted and surreal visuals to raise the awareness of the serious air pollution problem and just how many harmful substances we are exposed to in our daily environment, even at home.” – Queenie Fan, group account director of M&C Saatchi

Check out the complete, full-sized version of the ad below:

“Bacteria”

This really is one of the nicest print ads I’ve seen in a while. It’s aesthetically beautiful and visually complex, but with a straightforward and extremely simple concept. And it’s timely. Win.

Illustrator: Ronald Kurniawan
Ad agency: M&C Saatchi, Hong Kong
Executive creative directors: Sandy Chan, Simon Handford
Creative director: Francis Chung
Art Director: Takho Lau

The Beautiful Word: Very Cool French Scrabble Commercials (Is That Ween I Hear?)

Vito Rispo — Mon, 27 Apr 2009 21:19:18 +0000

These are some super fantastic new Scrabble ads designed to liven up the game’s image a bit. Over the past 60′s years that it’s existed, Scrabble has sort taken on a reputation as a favorite of only English majors and elitist word geeks; so it looks like their trying to reach out to a wider audience. They get it, they’re “hip”. Also, is that Ween playing?

The concept of all the words on the board coming alive and interacting is great, but I’m not so sure everyone will “get it” at first. I mean, the people who already like Scrabble probably will, but the more mainstream people they’re trying to recruit, less likely. Still, I love this ad, and the other two in the series:

Ad Info:

Title: THE BEAUTIFUL WORD
Advertiser/Client: MATTEL
Product/Service: SCRABBLE
Agency: OGILVY & MATHER, Paris
Country: FRANCE

Credit Details:
Chris Garbutt Executive: Creative Director Ogilvy and Mather
Arnaud Vanhelle: Copy Writer Ogilvy and Mather
Benjamin Bregeault: Copy Writer Ogilvy and Mather
Mihnea Gheorghiu: Copy Writer
Antoaneta Metchanova: Art Director Ogilvy and Mather
Alex Daff: Art Director
Najin Ha: Art Director Ogilvy and Mather
Benoit de Fleurian: Managing Director Ogilvy and Mather
Marie-Charlotte Lafront: Group Director Ogilvy and Mather
Herve Parizot: President Mattel
Arnaud Roland Gosselin: Marketing Director Mattel

I only wish ads like these would play in the US.
My questions to you: Do people still buy board games in this digi-techno-online-quickness culture? And, seriously… is that Ween playing in the first video? It sounds just like them, and they’ve done commercials in the past. Remember the “Where’d the Cheese Go?” commercial for Pizza Hut? Ween did a version first, and was rejected. Check them out:
Where’d the Cheese Go?
and
Where’d the Cheese Go? (explicit)

Here’s a direct quote from Deaner about those two minisongs:
“Earlier in 2002 we were hired by the largest advertising firm in the country to write music for a Pizza Hut commercial. Pizza Hut had hired them to come up with a whole new image to promote their new Pizza, “The Insider” which had all the cheese inside the crust. In keeping in line with their new cutting edge image, the agency hired Ween to do the music, and we delivered in a big way. Unfortunately, they didn’t like a single piece of the 6 tunes we submitted and they had us rewriting the song every day for a couple of weeks before they hired someone else. In my opinion, it is one of the best tunes we wrote all last year.”

Update:
Here is a very cool (although completely unrelated) stop-motion animation commercial done for Scrabble’s 60th anniversary. This one is from a few months ago: